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April 18, 2021

Fifty years

By JOHN JAMES MARSHALL/Designated Writers

She was gravely ill, but it was a late Sunday afternoon, so she got out of her bed and drove herself to St. Joseph Catholic Church for 6 o’clock Mass. No matter how poorly she felt, she never missed.

When it was over, she drove the three blocks home, got back in her bed, re-attached the tubes that were supporting her in the struggle that had become her life.

Fifteen minutes later, she called across the house for help.

Thirty minutes later she was dead. She was 42.


It was the night of April 18, 1971, that my mother died in her bed and 50 years later, that date falls again on a Sunday. It may just be a coincidental calendar quirk, but it is not lost on me on how everything has circled back.

It was only recently that I fully realized how that final chapter unfolded — literally the last thing she did was go to church.

What was going through her mind that night?

Obviously, she knew she was terminal, but did she know it was imminent?

What were the prayers she said after she arrived at church that night?

It is the most significant date in my life, though I have often tried to pretend that it isn’t.


This is not about what happened 50 years ago but more about what’s happened since. Certainly, I remember every detail of that night, in particular, standing outside and looking through the window as my father and later the medical personnel tried to revive her.

In the months leading up to it, I knew something was wrong, but I didn’t know details. I think I was at the exact age (11) where my parents didn’t know whether to tell me everything or tell me nothing. So they told me nothing, and I don’t blame them one bit.

Though I didn’t actually think of it in these terms, I was determined to not let what had happened define me. And I lived the next few years of my childhood with that in mind.

Make no mistake about it – mine was a happy childhood, both before and after April 18, 1971. It was just wasn’t like everybody else’s.

There were some changes – I vividly remember making my own lunch box every day in elementary school – and my father quickly learned about 5 or 6 things they he could easily cook after he got home from work.

I loved school, I loved sports and I loved everybody who loved me. I felt insulated in my little world with relatives who looked after me, great friends and the ability to live as normal of a life as possible.

I just didn’t want anybody to feel sorry for me.

I was determined that I would continue to live the same life that I had before. I know that I violated all tenants of the grieving process, but that’s how I dealt with it.

As you might imagine, the day after my mother died, people were constantly coming over to the house. It felt so unnatural and so uncomfortable. All I was worried about was my baseball game that night. (It was called off). My father and brother were all receiving guest after guest and it seemed like the three of us were isolated from each other. Then, an angel appeared in the form of one of my friend’s mother, who rescued me and took me to her house when I spent the day with her son as if nothing ever happened.

It was exactly the kind of normalcy this 11-year-old needed.

After the services were over that week, I really didn’t find it necessary to “deal” with anything. Yes, it was sad, but I didn’t spend much time thinking about it.

Until I did.

The first time I really felt it was when I was a senior in high school – five years later – and my football teammates all received a necklace to give to their mother’s inscribed “I am the Mom of a Jesuit football player.”

I noticed.

About 10 years later, our family moved into the house next door to the one where I grew up. It took me months to get over a feeling that I still can’t really explain. Emptiness is about the only word I could use it describe it. Though I was living next door to my father, which was great, my mother wasn’t there to share in that “first home” experience.

I took particular note of turning 42 years old. There was a certain amount of guilt – kind of a different spin on “survivor’s guilt” —  that didn’t go away for a while. It taught me – and continues to teach me – to appreciate every day.

In the last 20 years, as my mother’s contemporaries have grown older, I see her in them. What would her life have been like had she not become sick?

It’s only been recently that I have thought about the milestones in my life that I never got a chance to share with her. Graduation. Children. New job. Grandchildren. Dozens of others.

For the longest time, I resisted the temptation to tell a friend who was complaining about their mother “at least you have a mother to complain about it.” But I do feel that way … and I’ve let them know it.

I have cried very few tears in the last 50 years over the death of my mother. I’m not saying that’s good or it’s bad; it’s just how it is. Maybe I’ve been able to handle adversity a little better than I otherwise would have. But here I am 50 years later with a great life, knowing full well that my mother has guided me through it just as much in the last 50 years as she did in the first 11.


So I guess you know how this story ends.

April 18, 2021, falls on a Sunday, just like it did on April 18, 1971. And there is still a 6 p.m. Mass at St. Joseph Catholic Church. Though it is not a time that I regularly attend Mass, I can’t ignore the significance.

It was the last thing Dorothy Rodrigue Marshall did before she died. This time, I’ll get the opportunity to sit by her once again.

Ran originally in Sunday, April 11, 2021 editions of Louisiana’s Gannett newspapers

He never owned a computer, lived most of his life in his hometown of Archer City, Texas, and I discovered in his obituary in The New York Times that, not surprisingly, he had the same post office box for nearly 70 years.

But Larry McMurtry, who “relished his role as a literary outsider,” wrote more than 60 novels and screenplays, three memoirs and two collections of essays, some of the best books and movies ever created before he died last week at home at 84.

“When Ausgustus came out on the porch the blue pigs were eating a rattlesnake – not a very big one. It had probably just been crawling around looking for shade when it ran into the pigs. They were having a fine tug-of-war with it, and its rattling days were over.”

And so begins my most-favorite all-around novel, Lonesome Dove, an 800-plus page epic, a love story and a sweeping adventure as two retired and aging Texas Rangers drive cattle from the sleepy town of Lonesome Dove, Texas, to Montana, “the grandest novel ever written about the last defiant wilderness of America.”

It won the Pulitzer for fiction in 1986 and was made into a television mini-series in 1989 that was all the rage: Robert Duvall, Tommy Lee Jones, Diane Lane, Danny Glover, Angelica Houston, Robert Urich…couldn’t miss it.

One of my favorite authors faded completely off the screen for me after I read The Last Kind Words Saloon in 2015, waiting for something to happen, and nothing ever did. But when I head he’d passed away, I went back and looked at all his titles, and at my bookshelves, and remembered why he was one of my go-to novelists. He made a significant impression on me since I first read The Last Picture Show in the 1970s.

Scan the shelves with me for a minute. Besides, summer is knocking on the door and you might need something to read…

Lonesome Dove — When you kill your main character and one of the greatest characters ever created in American fiction with 200-plus pages to go and you still run through the tape, you are an Official Writing Stud. Have read it twice and it’s time to tee it up again. Gus McCrae. Woodrow Call. Deets. Pea Eye Parker. And a “sporting woman” named Lorena who “had never lived in a place where it was cool—it was her one aim.” Lane played her in the movie and it was Gus who had to tell her, after she’d been sweltering in the heat of the Dry Bean, the bar in Lonesome Dove, and dreaming of any man who would one day take her to the West Coast, that “life in San Francisco is still just life.”

The Last Picture Show — The movie is in black and white, a brilliant call in this coming-of-age novel set in McMurtry’s “fictional” hometown of Thalia, Texas, in 1951. Every boy who saw the movie had an immediate crush on Cybil Shepherd, who played Jacy Farrow, the prettiest girl in town. Ben Johnson and Cloris Leachman, who also recently passed away (in January, dadgumit), won Oscars.

Some Can Whistle — Shortly after I graduated from college, one of my English teachers told me to read this. I did and it hurt me; some of it’s magic, some of it’s tragic, and it’s still one of my favorite books. It’s a “modern” book, one of McMurtry’s that has Houston as its setting and the relationship between a rich screenwriter and the daughter he didn’t know he had at its center.

Streets of Laredo — Capt. Call continues on without his best friend, Gus. I like this one better than the two “Dove” prequels McMurtry would write later.

Terms of Endearment — Read the book (written in 1975) and my own personal mother told me not to see the movie in 1983 because I would cry and I did anyway and I cried and momma is always right.

The Thalia, Texas trilogy of The Last Picture Show, Texasville, and Duane’s Depressed — Duane from The Last Picture Show has grown up. These are more comical than anything else but the settings and circumstances are as common as everyday life can be.

Anything For Billy — A Texan’s take on this teenage outlaw, a mix of real and fictional characters.

Leaving Cheyenne — A Western that spans more than 50 years on the great plains and has at its heart a love triangle between two cowboys and Molly Taylor White, another fabulous McMurtry female creation. Speaking of…

Buffalo Girls — Calamity Jane (one of the great all-time nicknames) does the heavy lifting in this story that follows Buffalo Bill Cody’s Wild West Show and explores friendship, heartbreak, and love among a cast of survivors.

Ten would be In a Narrow Grave, a collection of essays on Texas, which McMurtry knew a little bit about how to demythologize and still love. (All My Friends Are Going To Be Strangers is good too. And Moving On: Patsy Carpenter leaves Houston behind and, like Leona in Lonesome Dove, looks for “life.” Another of the many strong, dominating female characters McMurtry breathed life into.)

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